Does anyone else compile novels in their head as they fall asleep? Just me? The first lines are what get me. I often come up with a spectacular first chapter draft that I’m sure I’ll remember the next morning and much like an incredible dream, the details tend to be pretty fuzzy upon awakening. If I’m not compiling fiction in my head, I’m compiling blog posts. The unpublished, unedited, mostly forgotten versions of posts that fill the archive of my mind are overflowing the file drawers and spilling onto the floor.
Earlier this year, much like the fashion of our day to day routines changing by the week, I thought it would be fun to try something new – audiobooks. I’ve downloaded two – one a Christmas gift, and one a NetGalley selection. To say I’m a bit, umm, unfocused is greatly underselling how much this format is not suited to my disciplines. However, I will say I think I could come up with a way to make it work. I’m not ready to give up on audiobooks yet.
If you’re a follower of best selling fiction and news from the fiction world, I’m sure you’ve heard of The Rose Code by best-selling author, Kate Quinn. The New York Times and USA Today bestselling author of The Huntress and The Alice Network returns with another heart-stopping World War II story of three female code breakers at Bletchley Park and the spy they must root out after the war is over. It was published March 9th and has spent some time on recommended reading lists and best seller lists alike. You can’t go onto a bookstore’s website or browse their featured selections without seeing it because it’s just that good. This work of magnificent fiction is the audiobook I requested through NetGalley.
The audiobook is narrated by a delightfully accented woman by the name of Saskia Maarleveld. She reads bewitchingly, bringing emotion and colour to the listener. Unfortunately for me, she is also mesmerizing and as I listened, I fell into a mindless complacency, easily allowing the narration to become just background noise to the tasks around me. When I did intentionally focus, I found I was straining to stay abreast of the details of the story while I interpreted the British accent. This is not a criticism of Maarleveld or the novel. Both were enjoyable (more on that…) but rather, a sad commentary on my own failings as an active listener. (My husband and coworkers would most likely agree that I have many shortcomings in this regard.)
So I did what any sensible person would do when they haven’t listened to their advanced copy before publication date… I ordered the paperback version with deckle edge. This book is, well, weighty. My arms would get tired while reading in bed. It smacked my face more than once with quite a bit of heft. I turned into this weird hybrid reader, listening at times while doing dishes or driving, and than skimming to catch up in my print copy before tucking away a few chapters in the print version. The paperback, however, wasn’t portable enough for me, so I also purchased an e-book to read on my phone or my Kindle. It is quite possible I lost my place more than once having so many versions in my hands.
But I needed access to this novel, because the story was so well done, so intriguing, so consuming that I couldn’t put it down. It was by no means a quick read, but it was epic and heartfelt. It is a remarkable work of historical fiction and will be one of my top picks for 2021, if not of all time. I am traditionally a fan of heroic WWII sagas, but I enjoyed that this didn’t put us on the frontlines or in the shoes of those living through an invasion, but brought us behind the scenes, so to speak, and into the heart of valiant warriors in their own right. I found it to be an absolutely fascinating masterpiece that brought me to laughter, tears, and frustration. It will be worth a re-read one day, and in all honestly, I’m having a difficult time leaving Bletchley Park behind.
My thanks to HarperAudio for the advanced listener copy via NetGalley. It was truly appreciated.